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Bram Stoker's Dracula (Collector's Edition) (1992)

Product Details

Actors:Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves, Richard E. Grant
Directors:Francis Ford Coppola, Kim Aubry
Writers:Bram Stoker, James V. Hart
Producers:Francis Ford Coppola, Anne Mason, Charles Mulvehill, Fred Fuchs
Format: Widescreen, Color, Dolby, Subtitled, NTSC
Language: Bulgarian, English, Greek, Romanian
Subtitles: English, French, Korean, Portuguese, Spanish
Region:Region 1 encoding (US and Canada only)
PLEASE NOTE: Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
Aspect Ratio: 1.85:1
Number of discs: 2
Rated: R (Restricted)
Studio: Sony Pictures Home Entertainment
DVD Release Date: October 2, 2007
Run Time: 127 minutes
Average Customer Review:3.8 out of 5 stars style="margin-left:-3px">See all reviews (649 customer reviews)
Product Code: B000TGJ80S

Editorial Reviews

Amazon.com

Francis Ford Coppola's 1992 Bram Stoker's Dracula is a feverishly inventive movie that often overwhelms its own narrative flow, yet proves irresistible to watch. In the high-definition transfer on this two-disc Collector's Edition, Coppola's baroque, operatic set design, costumes, and cinematography look as lavish as they did on the film's first release. The director's grab-bag of visual effects are still bold and unabashed, if often over-the-top, and the actors still appear caught up in a certain hysterical pitch that feels a little forced but can be a lot of fun to watch. Gary Oldman's imaginative performance as the titular vampire carries the weight of Coppola's vision of Count Dracula as a tragic-romantic hero with Christ-like overtones. Keanu Reeves still looks a little lost in the pivotal role of Jonathan Harker, the London clerk who finds himself a prisoner in a Transylvanian castle while a 400-year-old vampire makes a play for his fiancée back home (Winona Ryder). Anthony Hopkins is fearless as a daft Von Helsing, and Sadie Frost is very good as the doomed Lucy.

The second disc in this set includes several good documentaries, including a featurette on the making of the film, involving past and present interviews with the principal artists involved. (Coppola and screenwriter James V. Hart speak persuasively about their commitment to bringing Stoker’s vision to the screen, rather than another revision.) Another documentary, "In-Camera: The Naïve Visual Effects of 'Dracula,'" is a fascinating overview of Coppola’s sometimes-frustrated effort to get the timeless special effects he was seeking. There are also quite a few deleted scenes among the special features, the best of which is an alternative cut to the film’s bloody ending. --Tom Keogh

Customer Reviews

3.8 out of 5 stars

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“This movie is a great movie with cool special effects, good acting, a solid storyline, and just enough action to keep everyone interested. ”Ben (barbkmoeller@worldnet.att.net) | 106 reviewers made a similar statement

“While Winona Ryder and Keanu Reeves are forgettable, Gary Oldman and Anthony Hopkins are expectedly brilliant. ”Adron Gardner | 97 reviewers made a similar statement

“Prince Vlad meets Mina again. ”Acute Observer | 1 reviewer made a similar statement

Most Helpful Customer Reviews

160 of 178 people found the following review helpful

4.0 out of 5 starsActually, I come down on this as James V. Hart's "Dracula"October 22, 2004

By Lawrance M. BernaboHALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Format:DVD

"Bram Stoker's Dracula" or, more properly, "Francis Ford Coppola's Dracula"? The assumption was that the title was chosen to stake a claim to being the film adaptation closest to Bram Stoker's original gothic novel, but the reason was more mundane. Another studio had the rights to the title "Dracula," so a qualification was necessary. Since this 1992 horror film would have the same characters along with the same general plotline as the novel, this seemed reasonable enough. But screenwriter James V. Hart added a significant element to Stoker's novel that justified the movie's potent tagline, "Love Never Dies." As director, Francis Ford Coppola provides the stylistic flourishes, which are this movie's best parts, but Hart is the one who is responsible for the derivations.In the novel Count Dracula only makes vague reference to the historical Vlad the Impaler, son of the prince known as Dracul (the Dragon), hence the name Dracula (son of the Dragon), when he tells his guest Jonathan Harker of the history of his family. Hart takes advantage of what we know about the historical figure to craft the film's prologue. Vlad (Gary Oldman) is fighting the Turkish invaders, not simply as a prince of Wallachia, but rather as more of a true Christian knight. He succeeds, but the exaggerated rumor of his death reaches his beloved Elisabeta (Winona Ryder), who throws herself to her death from the castle walls. As a suicide she cannot be buried on consecrated ground, and an outraged Vlad renounces God and is somehow transmorgraphies into a vampire as a result of his blasphemy. Then we get to the beginning of the novel.Harker (Keanu Reeves) is traveling to Transylvania to Dracula's castle to complete a series of real estate transactions that will allow the Count to come to London and live in style. Something not very nice happened to the previous member of Harker's firm to make this trip (can you say Renfield?), but the old Count only seems eccentric. However, when he sees a picture of Harker's fiancée, Mina Harker (Ryder), the Count knows that she is the reincarnation of his beloved Elisabeta. Now Dracula has reason to not only travel to London, but to make himself young again so that he can woo his woman.Once we move from Transylvania to London, we meet the rest of our cast of characters. Mina's best friend, Lucy Westenra (Sadie Frost), is being courted by Dr. Jack Seward (Richard E. Grant), who runs his own little asylum, Lord Arthur Holmwood (Cary Elwes), a handsome nobleman, and Quincey P. Morris (Bill Campbell), who hails from the American West. However, before Lucy can choose from amongst her beaus, she becomes the new bride of Dracula instead. Fortunately, Professor Abraham Van Helsing (Anthony Hopkins) knows more about medicine than what is found in science books and knows what is to be done in this situation. Meanwhile, Count Dracula manages to run into Miss Mina, and the seduction is on.The production design on this film is fantastic. When it first came out on DVD I would use it as a prime example of what could be down with sets and decor: Thomas E. Sanders and Garrett Lewis were nominated for an Oscar. The film won Oscars for Eiko Ishioka's Costume Design, and the Makeup of Greg Cannom, Michèle Burke and Matthew W. Mungle, as well as the Sound Effects Editing by Tom C. McCarthy and David E. Stone. Cinematographer Michael Ballhaus deserves to be mentioned despite similar notice. The bottom line is that this is a great looking film, which is one of the things we come to expect in Coppola's work.Oldman's performance as Dracula is interesting. Given all the actors who have come before from Max Schreck and Bela Lugosi to Christopher Lee and Frank Langella, it is hard to stake out new ground in the role. But Oldman bases his characterization on not only the romantic but also the tragic elements of this particular Dracula. Unfortunately, the performances of the cast are the weakest part of the film. Reeves is far and away the most wooden, but Ryder does not create a woman worth waiting for as far as I am concerned, which is the true weakest point of the film. Hopkins follows Laurence Olivier in the Van Helsing role and in a similar vein creates an eccentric ethnic know-it-all who spends a lot of time basically telling the gang of fearful vampire slayers to shut up and do what he says.When "Bram Stoker's Dracula" is over you will be struck by how gorgeous the film is from start to finish. That will make up for so many of the actors being as wooden as the stakes used to dispatch the vampires. Hart's twist on the tale helps improve Stoker's original ending, which was basically a race to kill Dracula before the sun sets. The tragic element established by the prologue is adequately played out in the ending. This film might be another example of the triumph of style over substance, but given the depths that some vampire movies can reach, it is nice to have one that aspires to such artistic pretensions.

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